Everything you ever wanted to know about alternative photography, historic print making, and the art of shaping light.
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Pale prints, images that wash away, veiled highlights, gum layers that won't hold: symptom, cause and fix — backed by documented process parameters.

Cyanotype at €39 or Aquaprint at €69-79? Difficulty, look, time, budget and safety compared to help you choose your first alternative printing kit.

No, cyanotype is not toxic under printing conditions: two iron salts, no silver, no dichromate. The real precautions, backed by safety data sheets.

Negative size, transparency film, inversion, mirroring, linearization curve: the complete guide to digital negatives for contact printing processes.

Gum bichromate, the signature process of the Pictorialists — at the cost of dichromate (a CMR carcinogen). Its history, and Aquaprint: the same gum print, without the toxic salt.

Bromoil, the Pictorialists’ hand-inked oil print — at the cost of a bichromate salt. Its history, and the Vision Picturale bromoil, without it.

Carbon printing: photography’s deepest, most permanent blacks, once made with dichromate. The Vision Picturale carbon process, without that CMR carcinogen.

Resinotype seals pigment inside a resin: a glazed print, somewhere between photograph and enamel. The Vision Picturale version, without bichromate or solvents.

Discover the simple steps to make your first Prussian-blue alternative photographic print — no darkroom, no expensive equipment.

Weight, sizing, acidity: the complete guide to choosing the right watercolor or art paper for your cyanotypes and gum bichromate prints.

Cyanotype, gum bichromate, bromoil, carbon, resinotype… Discover the 9 most-practiced alternative processes, their distinctive looks, and how to choose yours.

Traditional gum bichromate relies on potassium bichromate, a toxic compound. Vision Picturale reformulated the process as Aquaprint — the same painterly result, 100% practicable in a kitchen.

Sunlight, DIY UV box, fluorescent tube, or professional exposure unit: how to choose the right UV source for cyanotype, gum printing, and other alternative processes.